Donald Reid Womack is the composer of more than seventy works for orchestra, chamber ensembles, solo instruments, and voice.  His music has been performed and broadcast extensively throughout the United States, Japan, China, Hong Kong, Taiwan, Thailand, Italy, Germany, France, Poland, Argentina, New Zealand, the U.S. Virgin Islands, Guam, and Puerto Rico, and is published by Akamai Music, Dorn Publications, and C.F. Peters Corporation.  Dr. Womack holds Doctoral and Masters degrees in composition from Northwestern University, Bachelors degrees in philosophy and music theory from Furman University, and has participated in such festivals as the Conservatoire Americain in Fontainebleau, France, the June in Buffalo Festival, and the Aspen Music Festival.  The many organizations that have honored his music include ASCAP, Meet the Composer, The American Music Center, The Argosy Foundation, Arts Midwest, The Society of Composers, Sigma Alpha Iota, The National Association of Composers, The National Association for Advancement in the Arts, The Tampa Bay Composers' Forum, Northwestern University, The Music Teachers' National Association, and The American String Teachers Association.  

Dr. Womack received a Fulbright Senior Researcher Grant to live and work in Japan during the 2007-08 season, where he served as guest composer-in-residence with the Tokyo-based Japanese instrumental ensemble AURA-J.  His work with Japanese and other Asian instruments has placed him at the vanguard of East-West cross-cultural fertilization, and has enabled him to make a significant contribution to the body of new literature for Asian instruments, both alone and in combination with Western instruments.  Dr. Womack's interests lie in enriching a traditional approach to composition with the fertile possibilities of multi-cultural interaction inspired by his home of Hawai'i.  Combining a rich tonal language, an intricate use of color and texture, and an exploration of multiple perceptions of rhythm, his music employs both traditional and non-Western media with the goal of reaching audiences on an intuitive and emotional level.  A prime example is his After, a concerto for shakuhachi, koto, and orchestra, commissioned in memoriam to the Ehime Maru tragedy and premiered by the Honolulu Symphony in 2006.  The piece is scheduled to receive its Japan premiere in early 2010 by the Tokyo Metropolitan Symphony Orchestra.  

The recipient of more than fifty grants, awards and commissions, Dr. Womack received First Prize in the Sigma Alpha Iota Inter-American Music Awards.  He was also awarded Individual Artist Fellowships from the Hawai'i State Foundation on Culture and the Arts in 1997 and again in 2002, becoming the only artist in any field to be twice honored.  Performances of his work include his Tennessee Crossroads by the Louisville Orchestra, Violin Concerto – In questi tempi di Conflitto, by violinist Ignace Jang and the Honolulu Symphony, Emerald Sparks by the Honolulu Symphony, On Fields of Frozen Fire by the Honolulu Symphony, Out of the Blues by the Pittsburgh New Music Ensemble, Bruner's Grove by the Symphony of the Mountains (Tennessee) and Westmoreland (Pennsylvania) Symphony, Na Iwi o Pele (The Bones of Pele) by the Red Hot Lava Chamber Players, Double Sided by Asia Ensemble with the Salzburg Mozarteum String Quartet, Walk Across the Surface of the Sun by AURA-J, and O magnum mysterium by the Hawai'i Vocal Arts Ensemble.  His works can be heard on the Albany, Equilibrium, Tokyo CMC, and MMC labels, as well as on recordings produced by the University Hawai‘i.  

The subject of critical acclaim, Dr. Womack’s work has been hailed as “original, creative, and ingenious” by the Akahata (Tokyo) Shimbun, “wonderfully mellow” by the Buffalo (NY) Daily News, and “distinctive, stirring, and exciting” by the Honolulu Star-Bulletin, which also described his Violin Concerto as “a powerful work, impressively crafted, that impacts listeners on a visceral level.”  

In 1996 the German periodical Neue Musikzeitung placed Dr. Womack among a group of American composers who "justify hopes that America should be capable  of providing stimulus for a new century".  He was also the subject of an article in the May 1998 issue of the international periodical Islands Magazine, which described the creation and premiere of his orchestral work On Fields of Frozen Fire, a work inspired by lava fields of the Big Island.  As an active supporter of contemporary music and chamber music nationally and in the Hawai'i community, he has directed numerous festivals and concerts of contemporary music.  A faculty member at the University of Hawai'i since 1994, Dr. Womack has chaired the music department and presently serves as professor of composition and theory.  


     – updated December, 2007
for abbreviated versions of bio click here:  short bios                                     abbreviated%20bios.htmlshapeimage_1_link_0
biography
 
 
 
 
Donald Reid Womack